Building Her Own Creative Language

In Miami, Leidy co-founded InsideMiso Art, creating a space where she could continue developing her artistic language through contemporary dance, choreography, performance, education, movement research, and collaboration. InsideMiso represents an important evolution in her journey: moving from interpreting creative ideas to developing, directing, and giving shape to creative worlds of her own

A creative life in constant movement.

Leidy Torres is a Cuban multidisciplinary creative based in Miami whose work moves across dance, choreography, creative direction, production, digital ecosystems, and content creation. Her journey began in Cuba, where she trained professionally at the National School of Dance and developed contemporary movement as her first creative language. Dance became more than a profession; it shaped the way she observes, communicates, collaborates, and transforms ideas into experiences.

Throughout her career, Leidy has built a multidisciplinary path across Cuba, the United States, and Mexico, moving between contemporary dance, commercial performance, choreography, television, audiovisual productions, and creative projects. In Cuba, she performed with OTROLADO Company and Proyecto MARTE, while also developing experience in commercial productions and collaborations connected to artists such as Enrique Iglesias, Paulina Rubio, and Gloria Estefan.

After moving to the United States, her work in contemporary dance continued to evolve through significant artistic collaborations and performances. She performed at BAM Fisher in New York and The Four Arts Foundation in Palm Beach through projects with Claudia Hilda and visual artist José Parlá, and at Faena Forum in Miami in collaboration with Xander Ferreira and choreographer Gabriela Bursall. These experiences expanded her relationship with movement beyond performance, placing her within multidisciplinary environments where dance, visual art, music, and creative experimentation could intersect.

As her career evolved, Leidy became increasingly interested not only in performing, but in everything that happens before an idea reaches the stage how a concept begins, how movement is developed, how artists and disciplines come together, and how a creative vision becomes a complete experience. That curiosity naturally expanded her practice into choreography, education, production, and creative direction.

As co-founder of InsideMiso Art, she found a space to develop this vision further through choreography, movement research, education, performance, and original artistic projects. Her work as a creator and director includes En Tiempo Real, presented at the International Contemporary Dance Festival in Mexico City, marking another step in her evolution from performer to multidisciplinary creator.

Tobeleidy Today

Today, all of those experiences live together through Tobeleidy. Movement remains the foundation of her artistic practice through InsideMiso Art. To Be Creative Studio allows her to work with ideas from another perspective, building creative direction and digital ecosystems for artists, entrepreneurs, and small businesses. Content creation gives her another language through which to experiment with visual storytelling and collaborate with brands.

What may appear to be different disciplines are, for Leidy, different expressions of the same creative mind. She believes creativity does not belong to a single profession or medium. An idea can become movement, a performance, a digital experience, a visual identity, a piece of content, or something completely unexpected.Creativity doesn’t belong to a single discipline. It moves, evolves, connects, and finds new ways to exist.That is the philosophy behind Tobeleidy: a space where every chapter of Leidy’s journey can coexist, and where she can continue exploring what it means to create.

Beyond the Stage

As Leidy became involved in larger creative projects, her practice naturally expanded beyond the stage. Production introduced her to audiovisual storytelling, digital platforms, content development, project management, and the systems that allow creative ideas to exist and grow. Her experience eventually expanded into projects such as Sensanova and La Casa de Yuly, where creativity required not only artistic vision but also organization, production, communication, and digital execution.

Through that evolution, something became clear: the disciplines were changing, but her creative process remained the same. She was always trying to understand an idea, find its direction, organize its elements, build it, and find the best way to communicate it.